Bashō after Cinderella
(i)
a glass slipper
in the middle of the road
spring rain
(ii)
thistles in bloom
village gossip
after the ball
(iii)
pumpkin vine
a mouse remembers
how to neigh
(iv)
fairy dust snow
perfectly-sized boots
for her bare feet
(First published in Rattle (#38, Tribute to Speculative Poetry, Winter 2012) Haiku iii won the Dwarf Stars Award for 2013 and will be included in the 2015 Nebula Showcase.
Deborah P Kolodji served as president of the Science Fiction Poetry Association. She is the moderator of the Southern California Haiku Study Group and currently serves as the California Regional Coordinator for the Haiku Society in America. She has published over 800 poems in journals such as Star*Line, Strange Horizons, the Magazine of Speculative Poetry, Mythic Delirium, Modern Haiku, Frogpond, Acorn, the Heron’s Nest, A Hundred Gourds, Rattle, Pearl, and poeticdiversity. She has published four chapbooks of poetry, including one of speculative haiku, “Red Planet Dust” in 2007. She has been anthologized in the Rhysling Anthology, the Red Moon Anthology, Dwarf Stars, Aftershocks: The Poetry of Recovery, Haiku 21, and Lighting the Global Lantern: A Teacher’s Guide to Writing Haiku and Related Forms. Her short stories have appeared in THEMA, Tales of the Talisman, and Everyday Weirdness. She has a memoir in Chicken Soup for the Dieter’s Soul. Her radio interview with Lois P. Jones on the Poet’s Café, which aired in Los Angeles in 2010, can be heard on the Timothy Green’s Blog: http://www.timothy-green.org/blog/deborah-p-kolodji/
Tags: Deborah Kolodji
Interview with Deborah P Kolodji | Silver Blade Magazine
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[…] three haiku sequences in this issue, “Bashō After Cinderella,” “Bashō on the Back Road to Camelot,” and “Seasons of a Time Traveler” were written […]
Poetry Introduction for Issue 25 | Silver Blade Magazine
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[…] subtly science fiction, followed by a fanciful series of linked fantasy and Sci Fi haiku [“Bashō after Cinderella”*(Rattle), part of which won the 2013 Dwarf Stars Award; “Bashō on the Back Road to Camelot” […]