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  • Issue 32 Poetry

Published by Associate Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Short Stories

The Persistence of RAM

by Christopher Mowder

Test Subject #1 (TS-01)

I parked my dented Chevy Caprice in the hot asphalt sea of Beemers and Benzes. I thought about dinging the Lexus next to me. Bring a refreshing taste of anarchy into some yuppie’s life. I didn’t, though. Mr. Lexus probably deserves it, but I’m just not that kind of girl.

The five-story building looked like a hospital. Sliding doors whooshed open and too much air conditioning blasted me in the face. I turned right, following the signs for the Advanced Robotics Laboratory.

For the next mind-numbing half-hour, I did nothing but sign my name to waivers and releases. Considering the government requires me to be here, covering their ass with legalese seems like a pretty cowardly blanket. Even after reinstating the draft, mandating two years’ military service, and making voting compulsory, men in Congress still felt guilty forcing citizens to participate in government research. Oh, they claim this is no different than jury duty, that there’s no risk of harm to the test subjects.

With jokes like that, Senators could do stand-up.

piercingsWhen I finally finished the forms, an Asian woman in a white lab coat took me to a waiting area. I asked what to expect. She ignored me. “Please take a seat,” she said. “When the door opens, enter the room, and the experiment will begin.”

Before I could get another question out, she slipped back down the hall.

Whatever.

When I checked in, the receptionist confiscated my purse, phone, and my tattered copy of A People’s History. Nothing allowed in the experiment, she said. She looked at my jewelry like it might be off-limits too, but she can go to hell. I’m not taking out seven piercings.

No phone. No book. With nothing else to do, I kicked my black Chelsea boots up on the suede Ottoman, and waited.

◊ ◊ ◊

Test Subject #2 (TS-02)

Looking down the rows, I saw no close spaces open, so I whipped my Range Rover into a handicap spot. I passed five of those, all open. Why waste so much prime parking? I suppose even secret military research must be ADA-compliant.

I adjusted my necktie in the rearview mirror, and headed in to find the lab.

My clients don’t mind if I’m a few minutes late. I bill by the hour, and twenty minutes is a rounding error in the legal profession. This receptionist, though, glared at me as I walked up. I smiled and introduced myself. I apologized for being late, and I even complimented her godawful hairstyle. She warmed to me after that. All sins forgiven.

ticketedI read through their legalese garbage, the standard (and poorly-written) government nonsense. I could tear it apart in court, so I didn’t mind signing it, even the non-disclosure agreement. Then an Asian chick in a white lab coat led me back to an empty waiting area. I gave her my smile and complimented her necklace, but her face remained flat and cold as steel. “Please take a seat,” she said. “The experiment will begin shortly.”

All business. Nobody has time for fun anymore.

◊ ◊ ◊

Test Subject #1 (TS-01) x—x

A buzzer sounded, and the door slid open. I expected a stark white laboratory, beakers and test tubes and clipboards.

Instead, I stepped into a retro 1920s jazz club. Antique leather chairs and matching deep brown couch formed a seating area in the center. A dimly lit bar stood along the back wall, crystal martini glasses hanging from dark cherry wood, with rows of liquor bottles behind. Large plants chilled out in corners. As soon as I entered, a speaker clicked and light jazz floated down. Nothing romantic, just enough to set a casual mood.

For a government job, this was incredibly classy.

Only then did I notice the giant silver mirror on the wall—one-way glass, I’m sure. They’re watching me, I reminded myself. And they weren’t the only ones. Opposite me, another door had opened. A guy in a suit and tie stood there blinking like he just woke up.

We both entered, and our respective doors slid shut behind us, flush with the wall.

The guy came up to me and smiled. “Hi. I’m Jackson.”

“McKayla,” I said, shaking his hand. I got that same urge from before to create anarchy. Just reflex. I wanted to kick him in the shin. I resisted.

“This is…pretty unbelievable,” he said, hands on his hips and looking around. “I don’t know what I expected when I got the summons for the Advanced Robotics Lab, but it sure wasn’t this.”

“Please have a seat.” A woman’s pleasant voice floated down from speakers in the ceiling, the jazz volume lowered to bare background noise. Jackson and I sat next to each other in the leather chairs, facing the mirrored wall. “The Android Robotics Laboratory thanks you for your participation in Experiment 3F24. For your information, audio and video recording equipment will be in use today, and laboratory technicians will be observing the events.”

The technical talk sounded jarring and out of place in the smooth, suave surroundings.

The woman paused. “Today, you will be testing our newest model, developed here at the ARL.

“Our latest android unit resembles humans not only in appearance and operation, but in consciousness as well. The android model you’ll be testing today believes it is human.”

◊ ◊ ◊

Test Subject #2 (TS-02)

An android that thinks it’s a human? I laughed. McKayla shot me a look.

“That explains all this,” I said, sweeping my arm around the speakeasy. “The robot thinks it’s a human, so give it a human surrounding. They couldn’t have picked something in the era of television? The Nationals play this afternoon.”

“Shut up,” McKayla hissed.

Above us, the Asian chick droned on. “The android is programmed to believe itself a human being in every way. This android will remember fictional experiences, have preprogrammed emotions, and hold opinions. It will believe it has a life outside this facility. In fact, we activated it just a few minutes ago.

“You may interact with the android in any way you see fit,” the chick concluded. “Your goal is to convince the android it is a machine. Once you do, the experiment is over. Now, please make yourselves comfortable. We will begin the experiment in a few minutes.”

A third door to the room stood next to the silvery mirror. I turned to face McKayla, and watched the door over her shoulder. “So. Come here often?”

McKayla rolled her eyes. “Save it, unless you want me to call you Jackass instead of Jackson.”

If she thought I was hitting on her, she had nothing to worry about. From the shock of purple in her jet-black hair, her plentiful facial piercings and her personality like a nail file, I knew she was not my type. “Just making conversation.”

After a minute, she touched my arm. “Hey. I didn’t mean to be bitchy. Sorry. I’m just a little on edge.”

“Don’t worry about it.” I smiled at her. “What do you suppose this thing’s going to look like? I mean, they say it’s human, but I don’t buy they could make it flawless.”

“Judging by the atmosphere, I wouldn’t underestimate it,” McKayla said. The music played again. “Stan Getz,” McKayla said, after a moment.

“You know jazz?” I would have bet money she listened to nothing but death metal. “I like it too. I played bass guitar in undergrad, before law school sucked all my time.”

She nodded. The longer we waited, the harder it became to keep conversation going. She rapped her fingernails on the leather chair. My knee bounced involuntarily. I put a hand to stop it. We both stared at the door now.

“How much longer?” I called out to the mirrored wall.

The Asian chick’s voice crackled back over the speaker. “The experiment is about to begin.”

We both stood, waiting for the door to open. McKayla crossed her arms. I clenched my fists at my sides. “Whatever happens, let’s do this together.” She nodded back at me.

We waited a full minute I’d say. I looked behind me. No other doors opened. No one else entered.

“Where’s the android?”

The voice came over the speaker one last time. “The android is one of you.”

◊ ◊ ◊

Test Subject #1 (TS-01)

I stared at Jackson, and staggered back a few steps. Oh my God. This guy is an android.

We stared at each other for a long time. His eyes struck me the most. They looked so real. They darted back and forth like a frightened animal.

Surely, this is a social experiment. What would a normal person do when she’s told she’s in a room with a robot?

Minutes ticked by. That scenario looked less and less likely. Neither of us sat back down. The silence became unbearable.

“When did you first learn you were an android?” I asked.

He smiled. “I’m not.”

“So androids can lie.”

“Apparently so, judging by you. I almost believed you were human in the beginning. Almost.”

I laughed, but it came out short and stilted. He can’t really believe it’s me. This is just part of his programming. “I’m no android. I remember my whole life, all the way back to childhood. It sucked.”

I was adopted. A website matched Midwestern do-gooders with orphans around the world. My ‘parents’ were Herbert and Judith Johnson. Lifelong residents of Ft. Wayne, Indiana, I was plucked up from Morocco by the two whitest Americans in the whole country. They named me Margaret, and when I turned eighteen, I changed it to McKayla. I couldn’t stand Margaret.

As I told Jackson all this, I studied him. Jackson is white in the way my parents would have liked: close cropped blonde hair, blue eyes, tan skin. He has a charmer’s face, the type of face that’s punched a lot of V-cards. He wore a light gray suit with expensive brown shoes, and he keeps smoothing his necktie and smiling at me as I talk. Not saying a word, just smiling.

I remember my asinine childhood. Herb went to the Elk’s Club every Friday night. Judy stayed home and read books where a cat solved mysteries. It’s no wonder I got addicted to pills before I graduated high school. I wanted to tell Jackson all this, but the more I talked, the more I felt I should stop talking. Abruptly, I shut up.

◊ ◊ ◊

Test Subject #2 (TS-02)

I would never admit it to McKayla, but it devastated me to learn she’s an android. I found her fascinating, despite myself. And I much preferred the prospect of her and I facing an android together, rather than me facing her alone.

I know I’m not the android. That’s impossible. I’ve been married to Megan for ten years. I didn’t just imagine that, I didn’t imagine Gavin and Ashley. I didn’t dream up three years of law school and three more spent clerking for some jagoff judge in Baltimore, fetching him grande lattes every morning and driving him home from the bar every night because he got pissing-himself drunk. In another ten years I’ll be partner in the biggest firm in D.C., and my kids will be at the same prep school as the First Family.

I’m not the android, end of story. Which means she is.

Time to go to work.

“Well, I hate to break it to you, but I’m not an android. I have memories just like you, a childhood with a mommy and daddy who didn’t love me and wouldn’t look at my baseball trophies. That doesn’t make a bit of difference. One of us is telling the truth and one of us—you—is saying what they were programmed to say.”

“What makes you so damn sure?”

“That I’m human? I do corporate trial law for clients from here to Boston. I know people, and people know me. You can’t fake the connections I have, honey.”

She smirked. “Or they made you think that, when they turned you on fifteen minutes ago.”

“You want to prove it?” I asked. I pulled off my jacket and loosened my tie. “Let’s prove it.”

◊ ◊ ◊

Test Subject #1 (TS-01)

“What the hell are you doing?” I asked. He was ripping off his clothes like we were drunk teenagers with our parents out of town.

“No matter how well the android speaks, something will be different physically,” he said, as he pulled off his white shirt. “Skin texture, bone structure, hell, maybe even a USB port or a ‘Made In China’ sticker.” He started unbuckling his belt.

I crossed my arms. “If you think I’m getting naked with a robot while a bunch of scientists watch, you have a serious bug in your programming.”

A wide smile spread across his face. “So. You have something to hide.”

miles-davis“Yeah, it’s called modesty. And safety. This may be tough for your hardwired male brain to grasp, but stripping naked with a strange man would be incredibly dangerous for any woman. So keep your clothes on, RoboCop.”

Jackson looked at the mirror-wall, as if pleading for an intervention. Nothing but the strains of Miles Davis came from the speakers. He looked down at himself, half-undressed, slacks around his knees.

“Fine,” he said, and yanked his pants up. “But the burden of proof is on you now. Make me believe.”

◊ ◊ ◊

Test Subject #2 (TS-02)

I finished buttoning my shirt, and watched myself in the mirror-wall as I retied my tie.

“Oh save it,” McKayla called over my shoulder. I deliberately took more time, and started over tying the knot. Why should I listen to her? She basically insinuated I was ready to rape her. What kind of scumbag did she think I was?

I pulled on my jacket and smoothed the flaps. She gave an exasperated sigh. “Oh for the love of God stop primping!”

I sat down in the chair, and crossed my legs. “Very well. Your turn. What do you suggest we do to figure out the answer?”

“I told you, I’m not an android—“

“And I told you, I could give a shit what you say.” My words shocked her, I think. She stared at me. “I’ve got no reason to believe you, and you’ve got no proof. What’s your next idea?”

I knew it came out a little harsh, but I wasn’t about to apologize. I let the sharp words hang in the air like suspended knives.

She thought for a minute, and then lifted her hands into fists. “Fight me.”

“Do what?”

“Fight me. You wanted a physical test. You’ve got me by at least fifty pounds and five inches. If I can kick your ass, then maybe I am the android, all metal and steel inside like the Terminator.” She smiled, and bounced back and force. “Or maybe you’re just a pussy who will get beat up by a girl.”

“I’m not fighting you.”

“Oh, have something to hide?” she mocked, imitating my voice. “C’mon, rock’em sock’em.”

“No.” Emphatic.

“Why not? Scared I’ll hurt you?” I heard a malicious taunt in her voice.

I adjusted my tie. “When I was twenty, my older sister Rachel married a fat Armenian named Tony. All the family knew he was bad news for Rachel.

“What we didn’t know: Rachel married Tony because he threatened to kill her if she didn’t. Nearly killed her anyway. Beat the living hell out of her four times in their first year of marriage.

“After three years, she finally told us what was happening. I stood between my sister and Tony the night she left him.

“So no. I won’t hit a woman. Even an android.”

All McKayla’s energy deflated. Her hands dropped to her sides, and she sank into the heavy leather chair. Above us, a sad saxophone crooned.

“Your turn,” McKayla said, without looking up.

◊ ◊ ◊

Test Subject #1 (TS-01)

Jackson blathered on about his job, something about his record winning cases, his name in the newspaper, all that. I really wasn’t listening. He had no way to prove it.

“McKayla.”

Jackson had stopped talking, and was looking at me. “What was that? I missed it.”

“I asked what you do for a living.”

“It’s boring. You wouldn’t care.”

“Probably computer science, something an android would do,” he said.

What the hell? Did they program him with my bio?

That grin spread across his face again. “I knew it.”

“I’m a server admin—” was all I got out before he erupted in laughter. Bastard. What, is everybody in IT a robot? Millions of androids out there just because we’re smart enough to send emails without needing tech support? You can stop laughing anytime now, Jackson, before I slam your empty head into the wall.

Maybe my therapist is right. Maybe I do have some unresolved anger issues.

He finally calmed down, but still had this grin stitched to his face. I said, “When you think about it, a computer tech like me is the ideal person to evaluate the most advanced robotics available—like you.”

His smile vanished. “Nice try.”

After that we quizzed each other on current events. It turned into an obscure game of Jeopardy. We both got some and missed some and argued about others. I don’t know anything about golf. Neither do a lot of people. Who won the Masters this year? Who cares? That doesn’t make me the android, it makes me not a boring white bread sonofabitch.

Of course, when he missed one of mine, he got this smug look on his face. Said things like, “Oh, that’s right,” as if he knew the correct answer all along. What an enormous tool.

Plus, I don’t believe nobody’s buried in Grant’s tomb. Jackson can take his trick questions and shove them up his Brooks Brothers ass.

We’ve been in here for nearly an hour now. I can tell he’s getting antsy. So am I. But I’m going to break him. Any minute now, I am going to break this android, and leave his programming in pieces on the smooth tile floor.

◊ ◊ ◊

Test Subject #2 (TS-02)

“What’s the worst thing you’ve ever done?” McKayla asked me.

I looked over at her. “What do you mean?”

“You heard me. The worst thing you’ve done, on purpose. Not, ‘Oh, I wasn’t paying attention and got in a car wreck.’ Did you ever steal money? Sell drugs?” She paused. “Ever kill somebody?”

I shook my head. “Why in the world would I tell you that?”

“Because everyone has something. C’mon, hotshot. I assume you signed non-disclosure agreements here, same as me. If you really believe I’m the android, then you’re just talking to a machine.” She sat forward in her chair. “But I’m betting you don’t have anything. Never got a DUI, never even missed your kid’s soccer games. You’re no more human than a microwave.”

McKayla seemed to relish her idea, and clung to it. She pushed, and pushed. I stood up and turned away from the mirror wall. I looked at the old bar and wanted to pour myself a drink. I knew what story to tell. Encouraging me, Duke Ellington and John Coltrane played “In A Sentimental Mood.”

“Nobody knows about Clarissa,” I began. “Especially not Megan.”

God, am I really doing this? I must be crazy.

McKayla closed her eyes. She could see where this was headed.

“It’s not an affair,” I said, to clarify. “It’s just about sex, which Megan and I haven’t had since Ash was born. I still love Megan, I love my kids. Clarissa is just…different.”

In truth, Clarissa lived in my peripheral vision. I only saw chestnut hair, long legs in a short skirt, not a whole person. Clarissa was a means to end, not love.

McKayla sat forward, chin resting on her hand. She tried to hide her gleeful smile. “You love your wife but you cheated on her. You’re a son of a bitch, you know that?” She sighed. “How many times?”

“I saw Clarissa last Thursday.”

“It’s still going on?” McKayla practically shouted. “Good God, what the hell is wrong with you?”

“You asked.”

“Yeah, but I—“

“Before you start judging me, I want to hear yours.”

She paused, mouth open.

I set my jaw. “I said, tell me yours. You know my dirty little secret now. What’s the worst thing you’ve ever done, McKayla Johnson?”

She sat down. “I was going to tell you getting hooked on Vicodin and Oxycontin, nearly flunking out of college. But after hearing yours…” McKayla looked at me. “Why are you still doing it? You’ve got a wife, two kids. Why risk it?”

I shook my head. “I’m not sure. I wish I wasn’t. I just…can’t stop. I need it.” I decided against full disclosure: Clarissa wasn’t the first.

“If there’s a hell, you’re going to it.”

We were quiet for awhile, although her words struck me as strange. If there’s a hell, she said.

“What do you think about death?” I asked. She gave me a funny look, as though I asked if she were pregnant. “Do you believe in God? An afterlife?”

“No.”

“Karma? Anything?”

“No,” she said emphatically, as if the matter were that simple.

“Just ‘no’?” I held my hands out, palms up. “Nothing more to it? All of humanity just sprang from nothingness for no reason? One day, we’ll all die, and that’s the end of existence forever?”

She crossed her arms. “Yes.”

“What about the human spirit? The soul? Are those just made up fairy tales too?”

“I didn’t— “ she started, but stopped. “I’m not getting into a religious debate with you.”

“Why not?” I asked. “You’re willing to argue everything else. You’re happy to say what I’m doing in life is immoral, but you clam up when I ask about your basis for right and wrong?”

“Listen to you,” she said. “The adulterer, lecturing me on morality. Spare me.”

I sat back, rubbing my neck. “I’m not exactly an every-Sunday churchgoer,” I admitted. “I don’t have it all figured out. I don’t always do right by everyone. Sometimes, I don’t even try.”

I paused. My necktie suddenly felt too tight. I tugged it looser. “That doesn’t sound like a ringing endorsement for religion, I realize. Still, whether or not I personally do right, I believe there is a God, or another life after this, or something. Maybe there’s even a hell, but I hope not.”

“Don’t worry,” she said, her voice sharp and cold. “There’s not.”

Amazing. I had never tried to reach someone before. I ignore the doorbell when pimply-faced guys carrying Bibles come calling. But here I am, evangelizing, and I chose this as my first attempt?

“I read once that 90-some percent of people on Earth believe in a higher power,” I said, “be it God, Buddha, whatever. It makes sense an android wouldn’t believe in anything, though. An android’s god is a human.”

◊ ◊ ◊

Test Subject #1 (TS-01)

I wanted to spit at him. That’s not the urge for anarchy talking. That’s all me. I despise Jackson.

One minute he’s telling me about screwing his mistress, and the next he’s judging me—judging me!—for not believing. He’s the churchgoing adulterer, the supposed defender of battered women who turns around and uses them for sex. What a hypocrite.

I tapped on the mirror and told the anonymous faces beyond the glass I needed to pee. From the corner of my eye, I caught sight of Jackson. He jumped up and said he needed to pee, too.

Of course. I bet an android looks human, but doesn’t have the same urges. If I hadn’t mentioned it, he might have gone hours, maybe days, without remembering.

Next to the cherry wood bar, a section of the wall slid open. Inside was a toilet and sink. Apparently, the scientists didn’t want us leaving the experiment for anything.

When I finished, I stepped out and Jackson went in.

Listening at the door, I have to hand it to the scientists. He pees as loud and noisy as any other man I’ve ever known.

◊ ◊ ◊

Test Subject #2 (TS-02)

McKayla’s restroom theatrics were a nice touch, very believable. I knew I couldn’t wait any longer. Time for closing arguments.

I laid out my case to McKayla this way. Science has obviously created an exceptional android, one that believes it is human. Thus, either of us should be equally likely to be the android. But only one of us displays other characteristics consistent with a machine’s thinking.

One: McKayla has a computer background. She thinks and speaks in computer lingo. I, on the other hand, rarely send my own email.

Two: McKayla has no biological connections. She has adopted parents, and no siblings. She doesn’t have a boyfriend—though she claims she has before—and she’s mostly a loner. Only a few close friends, but of course, she can’t prove even that.

Three: She refused to let me examine her body. She obviously has something to hide.

Finally, four: McKayla doesn’t believe in God, and isn’t spiritual. That’s very consistent with machine thinking, although almost all humans believe differently.

Judge, I rest my case. McKayla is the android.

◊ ◊ ◊

Test Subject #1 (TS-01)

Fuck him. Pretty-mouthed son of a bitch. He stands up and gives a speech, always with an eye toward the scientists behind the glass, a pet performing for its master. He thinks that will trick me? Two can play at that game. Here are the reasons you, Jackson, are the android.

You’re a male bimbo, printed out of a catalogue. All surface knowledge and nothing underneath, no personality, no uniqueness, just like an android prototype. You’re a white male with a suit-and-tie job, a wife and two kids. That’s got to be Generic Android Model #1-A. Oh, that’s right, you also have a mistress. That doesn’t make you not an android, it makes you a shitty, amoral android. It proves you don’t give a damn about the feelings of other people, because you can’t feel anything yourself.

You don’t believe me? You want to find out for sure? I had a cutting problem as a teenager. Let’s dig into our arms, we’ll find out which one of us has metal inside.

◊ ◊ ◊

Test Subject #2 (TS-02)

“Holy shit, what the hell are you doing?”

McKayla pulled off one of her many piercings, a huge one with a long backer, and held it like a needle above her forearm.

I jumped out of my seat. “She’s going to cut herself! Somebody,” I shouted to the glass, “if you’re watching this, get your ass in here and stop her!”

We both waited, the thick silence hanging in the air. No one came.

“We’re on our own,” McKayla said, the long backer poised just above her skin. “Still think you’re the human?”

Her program must be malfunctioning. Or maybe this is the last ditch effort. She knows she’s made. This is the only way to get me to concede, and fail the experiment. Imagine that: the human lies and says he’s the android, just to protect the machine.

“I’ve got another earring,” she said. Her voice sounded lower, half a snarl, like a dog circling an injured animal. “Are you too much of a coward to do it with me?”

Why haven’t the scientists come in here to stop this? Are they going to let us cut ourselves? What if we tried to cut each other?

What if we tried to kill each other?

She’s still got the thing above her arm, holding it like a needle. She says she’ll do it.

Maybe she’s bluffing. Maybe they programmed her with a fail-safe mechanism to prevent—

“Screw this,” McKayla said. She plunged the backer into her forearm, and pulled as hard as she could. She screamed, and I heard a tiny sound like the scrape of a dull knife against thick flesh. She collapsed to the floor, and held up her forearm, a long strip of skin cut away.

Nothing but silicone and metal showed beneath.

◊ ◊ ◊

The experiment must have ended after that. I vaguely remember the door buzzing open, the scientists carrying McKayla, unconscious, from the room. I think I talked to one of them, maybe filled out more paperwork, but these are foggy flashes from a dream. I was halfway to Virginia before I realized I was driving.

I knew McKayla was the android. I never doubted it, not for a second. How could I? I’m a human being.

Only, McKayla seemed no less committed than me. That frightened me, even from the beginning. Made me doubt. What if all my life I thought I lived, my childhood and college and Megan and kids, what if all that had been programmed into me, just before walking in that room? That was McKayla’s life, an entire existence lived on a flash drive.

The scientists told me afterward she wasn’t dead. They just shut her down to prevent more damage. This was the 24th experiment they’ve run with McKayla, and self-harm was a first. They will repair her, try to fix that particular bug. Next week is experiment number 3F25.

It was terrible to watch McKayla practically commit suicide in front of my eyes, but the worst is knowing McKayla has to live that tiny window of existence over and over, always being so committed to her beliefs, and always, in the end, being wrong.

When I got home, Megan was in the kitchen, on her cell phone and slicing peppers for dinner. In the backyard, Gavin chased his sister with a squirt gun.

McKayla may have been an android, her memories artificial and her passion a façade. Even so, the impact she left on me feels real enough indeed.

I opened the door to the backyard, and relished the delighted squeals.

—«»-«»-«»—

Christopher Mowder

Christopher Mowder is a writer of science fiction and fantasy, living in the Midwest. Most recently, his work “The Goblin’s Son” appeared in Swords & Sorcery Magazine. You can follow him on Twitter at @cmowder.

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Published by Poetry Editor on November 30, 2016. This item is listed in Introductions, Issue 32, Issue 32 Poetry, Poetry

Introduction to Silver Blade Issue 32 Poetry

We are proud of the line up in this issue:

Michael (Mickey) Kulp (Snellville, GA), How It All Started
Adele Gardner (Newport News, VA), Well, Water, Stars
Rebecca Buchanan (Asheville, NC), i carry the light of a dead star in my pocket
John Reinhart (Wheat Ridge, CO), Arson With a Smile
Wendy S. Delmater (Lexington, SC) & Margrét Helgadóttir (Oslo, Norway), Ithildin
Marge Simon (Ocala, FL), George Tecumseh Sherman’s Ghosts
Ken Poyner (Norfolk, VA), Dave’s Strip Club
Bruce Boston  (Ocala, FL), A Grand Guignol Kind of Night
Chengyu Liu (San Diego, CA), A Nuclear Winter

Many poems have stellar allusions, whether the stars are in the edge of creation, in a bowl, in a pocket, in a well or in the eye of a cat. The series begins with creation and ends with destruction, but there is interesting life in between. Image information is included in the Editor’s Notes at the end of each poem. Please enjoy.

John C. Mannone

Poetry Editor

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

How It All Started

Once there was a potent, erratic
particle that contained everything.
And because it contained everything,
it was entirely, acutely self-aware.
It wobbled around massively, creating
space and destroying time, preserving
momentum and reversing entropy.
It played with the speed of light,
just for giggles, and let it run
at a million wavelengths of orange
peel per 9 billion dragonfly flaps.
That was a hoot. Then it fiddled
with vacuum impedance and
the polyester suit electron charges
for a while longer, just because it could.
It got bored, it got excited, it got
forgetful, it recovered. It split, it
combined, it undulated lasciviously.
Eventually, it decided to die, just to
see what would happen. So, it created
a
deep
singularity
and jumped off the edge, falling
at variable speeds until it found one it liked.
Its bottom hit the bottom while its top
was still at the top, and it squirted fragments
of matter that became stars and coffee and
dogs and–oddly, in only two places–unicorns
and flying monkeys. Humans came later,
and because the clever ones liked fireworks,
they grossly misnamed the Big Squirt. That
was ok. Eventually the octopi will wise up
and get their shot at physics; then we’ll see
a thing or eight.

— Michael Kulp

Michael Kulp is a writer and father of two mostly grown children who have survived his shenanigans through smarts they inherited from their mother.

His creative nonfiction, fiction, and poetry have appeared in consumer magazines, newspapers, and literary journals. His first book, Random Stones: A book of poetry was published in 2016.

His work has been included in the following venues: Adventure Racing Magazine, Ancient Paths Literary Magazine, The Backwoodsman, Barrow County (GA) News, Blink-Ink, Bushcraft & Survival Skills Magazine (UK), Firefly Magazine*, Friday Flash, Fiction, Gravel, Gyroscope Review, Haiku Journal, Ink, Sweat & Tears*, KEROSENE 2012—Burning Man in New York City, Microfiction Monday Magazine, Micropoets Society, Stripped Lit 500*, Three Line Poetry (anthology), Travel Thru History, We Said Go Travel, Where the Mind Dwells (anthology), Yellow Chair Review.

 

*Accepted for upcoming publication.

More at www.MichaelKulpWriter.blogspot.com

 

Editor’s Notes: To complement “How It All Started,” the image was chosen from the paper, “Observation of a New Particle with a Mass of 125 GeV.” The event was recorded with the CMS (Compact Muon Solenoid) detector* in 2012 at a proton-proton center of mass energy of 8 TeV. The event shows characteristics expected from the decay of the SM Higgs boson to a pair of Z bosons, one of which subsequently decays to a pair of electrons (green lines and green towers) and the other Z decays to a pair of muons (red lines). The event could also be due to known standard model background processes.

 

*The LHC (Large Hadron Collider) smashes groups of protons together at close to the speed of light: 40 million times per second and with seven times the energy of the most powerful accelerators built up to now. Many of these will just be glancing blows but some will be head on collisions and very energetic. When this happens some of the energy of the collision is turned into mass and previously unobserved, short-lived particles – which could give clues about how Nature behaves at a fundamental level – fly out and into the detector.

 

CMS is a particle detector that is designed to see a wide range of particles and phenomena produced in high-energy collisions in the LHC. Like a cylindrical onion, different layers of detectors measure the different particles, and use this key data to build up a picture of events at the heart of the collision.

 

Scientists then use this data to search for new phenomena that will help to answer questions such as: What is the Universe really made of and what forces act within it? And what gives everything substance? CMS will also measure the properties of previously discovered particles with unprecedented precision, and be on the lookout for completely new, unpredicted phenomena. (Citation source: http://cms.web.cern.ch/)

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

Well, Water, Stars

‘It will be as if, in the place of the stars, I had given you a great
number of little bells that knew how to laugh . . . I, too, shall
look at the stars. All the stars will be wells with a rusty pulley.
All the stars will pour out fresh water for me to drink . . . What
makes the desert beautiful,’ said the little prince, ‘is that
somewhere it hides a well . . .’

—Antoine de Saint Exupéry, translated from the French by Katherine Woods

 

Every day I try to speak. I used to know
How to move lips and gums and teeth, tongue striking hard
To shape a sentence—or a smile. Signs recognized,
Though wordless, fail me too: I think I dream, sometimes,
By the window, watching cars, waiting, willing you home.
You don’t notice the longing in my eyes—green
Like the sea, the green you drank deep
Each time we stayed at the old house by the lake,
Pumping the well first thing every morning,
Black iron handle giving a sharp creak. The last time
We tasted that mossy, stone-soaked water, you fell asleep
Reading, dreaming in the sun. Pyewacket slipped her leash,
Ran down the beach, paws taking in tiny stones,
Siamese fur a blur at dusk, eyes gleaming bright
Green like the lights across the shore. Time was
We’d sit on the green bench all night, heads
On each other’s shoulders, watching stars,
Glassy-eyed Pyewacket winking as she purred
her own rumbling rhythm on our laps.

That evening she ran free, she never came home.
She had slept with me since a kitten, so familiar, yet
She’d come to me a mystery; tamed me with feline magic,
Her chirps a witch’s charms that only I understood.
When you woke up, I was out walking, and you crawled,
Frantic, calling, under the house, your trousers muddy,
Your lime shirt sprinkled with cobwebs. She wasn’t trapped
Under the boat. She didn’t bob against the dock,
Caught in your fishing lines like a magical carp.
She was gone, her vanishing act as mysterious
As her arrival. I cried bitter water.
Two days later, I went rowing without you
Around the dangerous bluff, missing her,
Blaming you. The currents tore an oar away.
Waves smashed a log into the boat.
I love the water but never learned to swim.
Drowning, I looked up toward heaven, the deep
Green weeds tangling my feet, green water rippling overhead,
Green leaves framing a sky so far away. At least the stars
Twinkled to me, purring with furry light, while I lay waiting
In a deep as dark as sleep, listening to their voices
Singing like tiny Siamese meows,
Enraptured, snared by dreams, drinking our story.

Now I sit curled beside your feet,
Struggling to say your name. You read my
Anxious look as a cat’s plea for affection.
We talk of nothing, but share a bed
As warm, as close, as lonely as before.

 

— Adele Gardner

 

With a master’s in English literature, Adele Gardner has twice won third place in the Rhysling Awards of the Science Fiction Poetry Association. Her publications include a poetry collection (Dreaming of Days in Astophel) as well as 225 poems and 40 stories in venues such as Legends of the Pendragon, The Doom of Camelot, Strange Horizons, American Arts Quarterly, Silver Blade, Daily Science Fiction, and more. Two stories and a poem earned honorable mention in The Year’s Best Fantasy and Horror. Adele also serves as literary executor for her father and mentor, Delbert R. Gardner.  Learn more at www.gardnercastle.com.

 

Editor’s Notes: The free wallpaper image (Gambar Bintang – Pemandangan Luar Angkasa/Star Pictures – View Space) of a nebula is matted by a stock photo of beautiful clear pool water reflecting in the sun (Fedor Selivanov).

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

I carry the light of a dead star in my pocket

an ancient sun
one of the first to will itself out of dust and darkness

i meet a man
who carries his spark
in his bottom left molar
we drink tea on the banks of the Nile
and trade memories of our stars
and wish one another well
until we meet again

in a great wheel of metal and ceramic
spinning high above a cloudy world
i meet a being with no eyes and twelve tentacles
who carries its splendor
in the lining of its fourth stomach
and another of shining vapor and song
whose radiance creates a rainbow in its heart
we trade memories of our stars
and wish one another well
until we meet again

beneath a sky of rich purple and red
i sit on the high slope of an elderly mountain
worn smooth
whose brightness is buried deep among its stony roots
we trade memories of our stars
and wish one another well
until we meet again

and in the final dark
when the stars are no more
and the galaxies have fallen to dust
we will gather
and the last embers of suns long dead
scraps of hope against the night
will come together
and it will all
begin
again
— Rebecca Buchanan

 

 Rebecca Buchanan is the editor of the Pagan literary ezine, Eternal Haunted Summer. She has worked previously published, or forthcoming, in Bards and Sages Quarterly, Faerie Magazine, The Future Fire, Gingerbread House, Luna Station Quarterly, New Realm, and other venues.

Editor’s Notes: The lines “beneath a sky of rich purple and red/i sit on the high slope of an elderly mountain” stimulated a pairing with The North American Nebula, NGC 7000. It is one of the well-known nebulae in Cygnus. This image is from Cygnus’s Wall, a term for the “Mexico and Central America part” of the North America Nebula. The Cygnus Wall exhibits the most concentrated star formations in the nebula.

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

Arson With a Smile

I keep a little sun in my pocket, a little
ball of warmth, a little light for days
stuck inside staring out the window
dripping with self-doubt and frustration
to burn a hole through the walls
melting shower curtains to run naked
into the fading rain, climb the red side
of a full rainbow stretching into black
holes waiting like a secret path
where gumdrop forests breed ruckuses
of dragons flapping wantonly
among the moss under ancient
trees sprouted from starlight borrowed
from the stash Prometheus stole
from the sun, hidden in pockets
he sewed himself onto his socks
where no god would think to look
so that even chained at the mercy
of eagles one glance down to his feet
ignited fireworks in his heart

— John Reinhart

 

An arsonist by trade, John Reinhart lives on a farmlette in Colorado with his wife and children. He is a Frequent Contributor at the Songs of Eretz and his chapbook, encircled, is available from Prolific Press. More of his work is available at http://www.patreon.com/johnreinhart

Editor’s Notes: The image of Prometheus is from an Italian article MITI GRECI | PROMETEO, IL GIGANTE CHE AMAVA L’UMANITÀ (GREEK MYTHS | PROMETHEUS, THE GIANT WHO LOVED HUMANITY):

La mitologia greca è ricca di storie bellissime: battaglie, eroi, magie, tradimenti. La nostra cultura è cresciuta su queste leggende. Come quella di Prometeo, il titano ribelle che rubò il fuoco per donarlo agli uomini e…

Greek mythology is full of beautiful stories: battles, heroes, spells, betrayals. Our culture has grown out of these legends. Like that of Prometheus, the rebellious Titan who stole fire and gave it to men and …

http://www.focusjunior.it/scuola/miti-greci-prometeo-il-gigante-che-amava-lumanita-prima-parte

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

Ithildin

Noldor women, elven men
now silent,
now singing
in the slow, sonorous music of stone
learned from the dwarrow
of the halls of Khazad-dûm?
Wait.

In the moonlight you coax,
you tease
the precious fumes of molten mithril
slowly, so slowly,
out of moonlit, starlit mist
with words of thrumming power.

So much effort for so little!
But the artisans require it
for a project worthy of Fëanor himself.
And over several misty evenings
the small basin fills.

The weather clears.
The forge-fire dies.
When Celebrimbor inspects their basin,
And passes his hand above the harvested ithildin
It causes the contents of the bowl to shine like stars,
reflecting Elbereth’s glory,
glow as if moonlight shimmered on water.
“What word will unlock its power, my lord?”
Asks a smelter-singer, with a respectful bow.

Celebrimbor’s eyes lift to the lambent snows
above the dwarrowdelf, and he smiles.
“Friend. The inlay is for a door to our friends.”

— Wendy S. Delmater

 

Wendy S. Delmater is a writer, poet, and the long-time editor of Hugo-nominated Abyss & Apex Magazine. Recent publication credits include short stories and poetry in *Star Line*, Silver Blade, The Singularity magazine, and Illumen. Her new poetry chapbook  Plant a Garden Around Your Life can be found  on Amazon.

Authors’ Notes: J.R.R. Tolkien drew heavily on Nordic myths in his mythology of elves. So it felt fitting to have a Nordic translation of an origins story for the Doors of Mordor from the happier time when Hollin (Eregion, in elvish) was under the dominion of the high elves who had come from Elvenhome to Middle Earth. The linguistic challenge of writing this poem in a similar style to Tolkien’s verse while staying within the confines of Norwegian, which has very few words, were considerable, but we believe that the results are worth it.

 

 

Margrét Helgadóttir (translated into Norwegian)

Ithildin

Noldorkvinner, alvemenn
stille nå,
synger nå
den langsomme, dype musikken i sten
lært fra dwarrowene
i Khazad-dûms haller?
Vent.

I måneskinnet lokker du,
du egger
de dyrebare partiklene fra smeltet mithril 
sakte, så sakte,
ut av månelys, stjerneklar skodde
med ord av trommende styrke.

Så mye kraft for så lite!
Men håndverkerne krever det
for et prosjekt verdig selveste Fëanor.
Og over flere tåkefulle kvelder
fylles de små bollene.

Været klarner.
Smi-ilden dør.
Når Celebrimbor undersøker deres balje,
Og lar sin hånd gli over den høstede ithildin
Får det innholdet i bollen til å skinne som stjerner,
gjenspeiling av Elbereth’s herlighet,
glødende som månelysets skimmer på vann.
“Hvilket ord vil låse opp dets makt, min herre?”
Spør en smelter sanger med et respektfullt bukk.

Celebrimbors øyne løftes til den hvitstrålende snøen
over Dwarrowdelf og han smiler
«Venn. Innstøpningen er for en dør til våre venner.»

— Margrét Helgadóttir

 

Margrét Helgadóttir is a Norwegian-Icelandic writer and anthology editor (African Monsters, Asian Monsters) living in Oslo. Her stories have appeared in a number of both magazines and print anthologies such as In flight literary magazine, Gone Lawn, Luna Station Quarterly, Tales of Fox and Fae and Girl at the End of the World. Her debut book The Stars Seem So Far Away was published by UK-based Fox Spirit Books in 2015 and was shortlisted for a British Fantasy Award in 2016.  http://margrethelgadottir.wordpress.com/

Editor’s Notes: Ithildin was a substance made by the Elves out of the metal mithril and used by the Gwaith-i-Mírdain in constructions such as gateways. Ithildin could only be seen by the reflected light of the Moon and stars, and even then remained hidden until a “magic” word was said. The designs on the Doors of Durin were made from this substance. In the legendarium, Gandalf translated ithildin as “starmoon”[1].

Tolkien stated that ithildin is a Sindarin name, meaning “moon-star(light)”, “moonlight” or “starlight.” The word contains the elements Ithil (“moon”) + tin/tîn (“spark; star; twinkle of stars”). He noted that the correct Sindarin form should be ithildim [2].

[1] J.R.R. Tolkien, The Lord of the Rings, The Fellowship of the Ring, “A Journey in the Dark”

[2] J.R.R. Tolkien, “Words, Phrases and Passages in Various Tongues in The Lord of the Rings”, in Parma Eldalamberon XVII (edited by Christopher Gilson), pp. 39, 66

(Cited from Tolkien Gateway)

The composite image was stimulated by the line, “bowl to shine like stars”: a crystal bowl superimposed with an abstract radiant light source.

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

George Tecumseh Sherman’s Ghosts

Florida, 1914

Most nights, you mention him,
the ghosts rise from the cypress
come back to wail and moan.
Haints all look the same,
can’t tell the whites from the Brothers,
‘cause the war took every one alike,
and some still stick around.

It’s been nigh fifty years, Granpappy say,
back when it was the Civil War,
and that man with crazy eyes came through—
old General Sherman and his men
took our food, our mules,
even our women along the way,
burning and blazing every field,
cotton or corn or sugar cane,
telling us we join up
so’s we’d be free, that’s what they said.

Granpappy almost starved,
beings how the soldiers got the food
and only scraps for the Brothers that survived;
still more drowned at Ebeneezer Creek
trying so hard to keep up,
a-marching straight to hell,
all the while still being slaves,
no better than the Reb’s to them.
But them haints, General Sherman,
they all look the same.

— Marge Simon

 

Marge Simon has won the Strange Horizons Readers Choice Award, the Bram Stoker Award™ (2008, 2012, 2013), the Rhysling Award and the Dwarf Stars Award. More at margesimon.com

Editor’s Notes: The superposition of solider statues on the base of the William T. Sherman Memorial in President’s Park (Washington, DC) in silhouette on a photograph of cypress trees (by blackmagic), all rendered in a ghostly sepia, complements the poem.

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

Dave’s Strip Club

I know it is only a synthetic shell:
False skin grown in a sterile plasma farm, sold
By the yard, shipped cold, pathogen-free, and
Uniform. Beneath it, there is an ordered consistency
Of gel pre-molded, and mechanistic mysteries
Indifferently coiled and calibrated
Against the entire range of tolerances
The present gravity and rhythm can stew up.
Deeper, there is a nano-carbon chassis,
Micro-motors, and anabiotic pulleys; with a battery
Compartment smack in the middle
Of that oh so wonderful abdomen.
I’ve seen them coming off the production
Line:  each private run of dozens to hundreds
Meticulously customized to the purchaser’s core need.

Imagine what stories there might be
If that sex-slinging gyndroid were fashioned
Of real, sweating, sinfully sugared flesh:
If her back could truly counter twist like that;
And if her cutthroat breasts had come with evolution,
And not simply been disgorged
From a frustrated engineer’s late night fantasy.
Imagine:  the orgasmic gymnastics
She and I as a fighting pair might accomplish,
Making any not-as-lucky ordinary man in sympathy
Glow sadism green and blue electric envious—
Eyes bruised beyond simple focus and his tongue
Acid-flat against a uselessly unclasped jaw.
When she’s done with me, I might find
My soul stuck in neutral, my condition brother to that of
Ordinary robots—robots terminally returned, once their wickedly
Thin effective service life has drearily expired:
Obedient, uncaring, and willingly scrapped for reusable parts.

— Ken Poyner

 

Ken Poyner’s latest collection of short, wiry fiction, Constant Animals, can be obtained from Barking Moose Press, at www.barkingmoosepress.com, or Amazon at www.amazon.com. He often serves as strange, bewildering eye-candy at his wife’s power lifting affairs, where she is one of the most celebrated female power lifters of all time.  His poetry of late has been sunning in Analog, Asimov’s, Poet Lore, The Kentucky Review; and his fiction has yowled in Spank the Carp, Red Truck, and Café Irreal, Bellows American Review.

 

Editor’s Notes:  The image, “Android Legacy,” was created by Oliver Wetter / Ars Fantasio (Deviant Art) in collaboration with photographer Louis Konstantinou and model Gianna Vlachou. (Copyright notice and disclaimer: You are welcome to share my work or repost it.)

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Published by Poetry Editor on November 30, 2016. This item is listed in Issue 32, Issue 32 Poetry, Poetry

A Grand Guignol Kind of Night

The right kind of night for
a theatre of the dark absurd,
an enchanted evening’s folly
for addict-connoisseurs
of murder most foul.

Shadows were gathering,
in the salon, the greenhouse,
the library of countless shelves,
dread passions soon released
in the night, voices raised
in anger, three screams,
the barking of a dog.

Morning would find
blood in the back garden,
a scimitar discarded
on the study floor,
the stoked remnants
of belladonna dreams
in the sunlit haze
of the unaired rooms.

On the screened porch
the chairs and tables
tossed this way and that,
broken glass and the
residue of spilt drinks
scattered across the tiles.

Bodies would be
trucked to the morgue
in the county meat wagon,
thick with the scents
of death and horror.

By noon of the next day
the slaughter and wreckage
will have streamed away,
furniture properly placed,
dead bodies resurrected,
shifting shadows restored,
prepared for one more
dark enchanted evening
for addict-connoisseurs
of murder most foul.

 

— Bruce Boston

 

Bruce Boston is the author of more than fifty books and chapbooks. His writing has received the Bram Stoker Award, the Asimov’s Readers Award, a Pushcart Prize and the Rhysling and Grandmaster Awards of the Science Fiction Poetry Association. His latest collection, Resonance Dark and Light, is available from most online booksellers. bruceboston.com

Editor’s Notes: Le Théâtre du Grand-Guignol (The Theatre of the Great Puppet was a theatre in the Pigalle area of Paris (1897 -1962) specializing in naturalistic horror shows, often graphic and amoral popular from Elizabethan and Jacobean theatre. (See Wikipedia for more discussion: https://en.wikipedia.org/wiki/Grand_Guignol

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